Movies Detail of Lily aime-moi (1975)
✓ Title : Lily aime-moi
✓ Release Date : April 30th, 1975
✓ Genres : Comedy, Romance
✓ Director : Maurice Dugowson
✓ Writers : Maurice Dugowson, Michel Vianey
✓ Company : Caméra One
✓ Country : France
✓ Cast : Jean-Pierre Bisson, Jean-Michel Folon, Zouzou, Patrick Dewaere, Juliette Gréco, Rufus
✓ Release Date : April 30th, 1975
✓ Genres : Comedy, Romance
✓ Director : Maurice Dugowson
✓ Writers : Maurice Dugowson, Michel Vianey
✓ Company : Caméra One
✓ Country : France
✓ Cast : Jean-Pierre Bisson, Jean-Michel Folon, Zouzou, Patrick Dewaere, Juliette Gréco, Rufus
Synopsis of Lily aime-moi (1975)
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◈ Lily aime-moi Online Castellano - concerned less with the scientific background and more with sociological speculation about human society. In other words, it "absorbs and discusses anthropology", and speculates about human behavior and interactions. Exploration of fictional societies is one of the most interesting aspects of science fiction, allowing it to perform predictive and precautionary functions, to criticize the contemporary world and to present solutions, to portray alternative societies and to examine the implications of ethical principles.
◈ Lily aime-moi Full Video Stream - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.
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